Jumat, 31 Desember 2010

[G754.Ebook] Ebook Opening to Light Language: Humanity's Evolution into Multidimensional Communication, by Jamye Price

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Opening to Light Language: Humanity's Evolution into Multidimensional Communication, by Jamye Price

Humanity is changing. Intuition and spiritual growth are escalating within many. Light Language is a natural part of this evolution, though it is such a different type of expression that it is often misunderstood. It represents an advancement into heart-centered, conceptual, and connective language. Light Language elevates you through healing, and activates deep cellular knowledge about the innate and powerful flow of Love within you. This book takes a deep dive into the esoteric details of Light Language, and you are offered an opportunity to begin to open your own ability to channel the Language of Light. Learn how Light Language: Expands your multidimensional awareness Connects you with your Higher Self Correlates the newest scientific theories to your subtle nature Heals your heart and mind connection Jamye s connection and courage that grew from Light Language has changed her life in magical ways. Will it change yours, too?

  • Sales Rank: #399255 in Books
  • Published on: 2015-12-21
  • Binding: Perfect Paperback
  • 334 pages

Review
Finally - a demystification of channeling! Jamye Price has pegged it! A person who is in channel is simply a person who has expanded consciousness. Within that expansion is art, music, sculpture... and an elegant Light Language. Opening to "Light Language is a full explanation of how we can open up to our spiritual nature, and let go of old paradigms that say it can t be happening. This truly is the next step, and a new piece of a profound multi-dimensional puzzle, which Kryon has predicted would be taught in the new energy past 2012. Congratulations Jamye, for being in the right place at the right time with this book! --Lee Carroll Ph.D - Original Channel for KRYON

Jamye is a beautiful teacher and leader in the field of sound and light language. She reminds us that we are all capable of speaking this language. Articulate and insightful, she shares her multidimensional abilities in a spirit of true humility and respect. I adore reading and listening to her, she is a true evolutionary! --Peggy Phoenix Dubro Originator of the EMF Balancing Technique

For all those seeking personal empowerment, and overcoming the limitations of the mind, a transcendent roadmap has been offered. In Opening to Light Language, Jamye Price provides the background and method to dive within and hear and see the light of the divine that radiates naturally from you. Intentionally pursuing the language of light can be viewed as a perceptual accelerator. For those who are ready to immerse themselves in the experience, a world of intuition and inspiration can be opened and revealed. --Todd Ovokaitys, MD, founder of Gematria Products, Inc.

About the Author
Jamye Price is an energy healer, channel and teacher. She has developed an energy healing modality, Crystalline Soul Healing, a powerful alchemical template of Soul Progression. In addition, Jamye channels healing energies in the form of Light Language, which are transformational Creation Codes that further align you with your soul. Jamye also channels Areon, of the Lyran Council of Time. These loving Lyran messages are focused on humanity s Ascension and connecting you with your timeless nature as humanity moves into fourth and fifth dimensional expression. The Language of Light is universal language codes that your heart and infinite mind speak fluently. Light Language works like a stem cell, it is Dynamic Frequency Encodings of Sound and Light that adjust to your needs in each moment as guided by your Higher Self. Jamye s work assists with transmuting physical, emotional, mental, and spiritual blocks into wisdom, compassion, and empowerment. She teaches self-love, forgiveness and finding a perspective of Love in any situation to provide people with practical tools for Soul Progression and creating a joyful life. Jamye s passion is Ascension bringing people to the understanding of the Truth of who they are; cherished, powerful, and brilliant Divine Humans, interconnected with All Life. She feels humbled and blessed to be able to share her perspective of reconciling the old way of being human with Divine Human Being. Jamye offers private sessions by phone, group sessions and classes, Light Language healing CDs and a free newsletter and Weekly LightBlast to help assist Lightworkers on their Divine Path. For more information visit JamyePrice.com.

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7 of 8 people found the following review helpful.
Towards New Light And Knowledge
By leerread
As a child, I believed in benevolent beings from outer space and friendly gnomes and fairies. My imagination probably weighed more than my body did as I invented games, activities and practices where I could feel closer to these entities. For example, I had a favorite tree to climb and being up there among the branches was akin to being back among the stars in the Milky Way. On warm summer nights while laying outdoors on the lawn, I both feared and enjoyed the feeling that I was being lifted up, outside of gravity. Something my dad thought was just a gopher hole was to me the entrance to where the Hobbits lived and I used to put the garden hose into it--just to make sure that there was enough water in their river. I invented elixirs from marigold and nasturtium flower petals. I lived in a world of real magic--when I wasn't just being a normal kid, going to school, reading books, playing soccer.

Then, in the college years, the marriage years, the raising children years happened. And much of the magic went away.

When I discovered OPENING TO LIGHT LANGUAGE, the magic came back. I think that Ms. Price has a wide open ear and is able to listen to wisdom that comes from realms most humans cannot see, and if they even know about them, they are unable to find it in themselves to trust that they exist. When Price wrote about the way she came to understand this new language and how it manifested in her body, I was enchanted--and even a little jealous.

This book promises a good read, and a lot of magic! I am grateful it exists in this weary world and I believe that it will be a placeholder for all of humanity to know more truth about their existence and purpose in this Earth realm.

3 of 3 people found the following review helpful.
The science behind "You must become as a child to enter"
By Chante
This is a difficult subject to talk about since Light Language is not linear but holographic and sensory. You can't really interpret it because it is energetic and the words are incomprehensible to our surface thought forms. BUT, with Jayme's scientific mind, she does an incredible job of inviting us to play with it, open up to our other senses and start integrated it into our everyday lives.

2 of 2 people found the following review helpful.
Fantastic Book on Light Language
By Amazon Customer
Written simply, eloquently yet concisely, it was so pleasurable to read. I felt comfortable with the material throughout the whole book even though it was somewhat new to me and I liked the very informative way it was written. Her explanations were concise and I felt she is very dedicated to teaching it with integrity so that anyone wanting to learn or experience it can do so more easily. She covers a lot of ground. I really loved it. I don't know the author and had never heard of he prior to reading it.

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Kamis, 23 Desember 2010

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Strategic Operations Management: The New Competitive Advantage, by Robert H. Lowson

This indispensable text offers students a high quality treatment of strategic operations management. It provides the reader with a clear understanding of the importance and nature of operations strategy by determining exactly which management activities, core competencies, resources and technologies underpin an operational strategy. The book demonstrates how various operational elements and components can be combined and customised into unique operational strategies. When these strategies are correctly implemented, they provide sustainable competitive advantage and allow firms to provide a diverse range of services and goods in their increasingly demanding, complex and dynamic marketplaces and spaces.
Includes chapters covering customising operational strategies for retail, manufacturing, services and SMEs, and sections on eBusiness and complexity theory in relation to operations theory.
Features include:
*extended case-studies including several from Europe and the USA
*case vignettes
*learning objectives
*key terms
*chapter introduction and 'maps' to aid reader accessibility
*'time out' boxes to prompt the reader to reflect on what has been learnt
*'critical reflection' boxes that analyse theories and models.

  • Sales Rank: #4310523 in Books
  • Published on: 2002-09-22
  • Released on: 2002-07-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.68" h x .80" w x 6.85" l, 1.52 pounds
  • Binding: Paperback
  • 352 pages

Review

'Useful teaching text for students concerned with strategic operations management. Includes well-structured learning objectives and discussion questions as well as case studies and website support.' - Long Range Planning

Robert Lowson's book breaks new ground in its review of the way in which value is created and differentiation achieved through superior operations strategies. Using appropriate examples and case studies the book brings to life the new ideas that are being adopted by leading organizations. The insights that it provides will guide managers and students in their search for understanding of the concepts and tools that underpin excellence in operation strategies. - Martin Christopher, Cranfield School of Management.

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Rabu, 22 Desember 2010

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This book provides guidelines for those pursuing landscape projects based on integrative concepts – interdisciplinarity and transdisciplinarity – whether they are members of an integrative research team or individuals working on a problem that demands integration. They must define terminology, choose appropriate methodologies, overcome epistemological barriers and cope with the high expectations of some stakeholders while encouraging others to participate at all.

  • Sales Rank: #8993745 in Books
  • Brand: Brand: Springer
  • Published on: 2005-10-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.17" h x 1.02" w x 6.10" l, 1.38 pounds
  • Binding: Paperback
  • 434 pages
Features
  • Used Book in Good Condition

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Selasa, 21 Desember 2010

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The Fielden Trail: Ramble Through Todmorden's Past, by Jim Jarratt

  • Sales Rank: #10069717 in Books
  • Published on: 1988-06
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 128 pages

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Minggu, 19 Desember 2010

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The Bicycle Touring Manual, by Rob Van der Plas

This updated and revised 2nd edition of Rob van der Plas's book is the complete source for all information about bicycle touring. Fully illustrated.

  • Sales Rank: #10860965 in Books
  • Published on: 1987-08-06
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 272 pages

From Library Journal
Standard bicycle information is presented in an unimaginative style. The author covers bicycle frame, fit, and components, luggage carrying equipment, clothing, food, camping gear, riding style suggestions, minor repairs, planning the tour, and riding with children. There is really nothing new here and nothing to recommend this over Tim and Glenda Wilhelm's Bicycle Touring Book: the complete guide to bicycle recreation ( LJ 9/15/80), still in print. Thomas K. Fry, UCLA Libs.
Copyright 1987 Reed Business Information, Inc.

Most helpful customer reviews

0 of 0 people found the following review helpful.
I'm happy.
By C. Hankins
These are just for my library. They were new when they arrived. shipped quickly. I'm happy.

4 of 4 people found the following review helpful.
Not bad.
By Roy Hoogenraad
I found this book quite interesting, althought here were a number of items that were obviously personal choice, and not what I would necessarily agree with. Although it is not the best book on the subject I have seen, it is a very comprehensive and valuable book for anyone starting out. It is still an interesting book to read, written by someone who is quite passionate about this subject, and if I ever get it back from my father, I will refer to it again.

1 of 2 people found the following review helpful.
Realy good
By A Customer
I do bicycle touring for years, but this book teach new ticks to an old dog

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Kamis, 16 Desember 2010

[R579.Ebook] Ebook Download Beginner's Guide to Character Creation in Maya, by Jahirul Amin

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Beginner's Guide to Character Creation in Maya, by Jahirul Amin

Autodesk's Maya is the industry standard software used in the movie and video game business for creating assets. In Beginner's Guide to Character Creation in Maya, the artist will learn transferable skills for modeling anatomy with Maya and Mudbox, covering topics such as texturing and shading skin, hair, and eyes; kinesiology; deformation; locomotion; and lighting. Step-by-step guidance by expert tutor Jahirul Amin (3D trainer at Double Negative, London) will also detail how to create links, constraints, and controls for animation. With over 30 hours of downloadable videos, this is a book of amazing value that you won’t want to miss

  • Sales Rank: #130708 in Books
  • Published on: 2015-05-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.60" h x .80" w x 8.00" l, .0 pounds
  • Binding: Paperback
  • 288 pages

About the Author
Jahirul Amin
Jahirul Amin is a generalist with a particular passion for rigging and animation. He lectured in computer animation at the National Center for Computer Animation at Bournemouth University, UK, and is now a 3D Trainer at Double Negative in London.

3dtotal Publishing
3dtotal was founded in 1999 as a simple 3D resource website. Over the last decade the site has evolved into one of the premier CG art websites in the world, offering a variety of training products, an inspirational gallery, a free texture library and hundreds of free tutorials on a variety of subjects.

In 2006, 3dtotal entered into partnership with Focal Press and launched the popular book series Digital Art Masters and Digital Painting Techniques. The premise for these books was to provide high-quality content that would inspire and educate the next generation of digital artists. Featuring the work of top industry professionals, detailed tutorials and image breakdowns, these series have become firmly established as indispensable resources for every digital artist.

After five successful years working with Focal Press, 3dtotal Publishing was launched in early 2010. As well as self-publishing the next volumes in the pre-existing Digital Art Masters and Digital Painting Techniques series, 3dtotal Publishing has launched a number of new titles including: Sketching from the Imagination: Fantasy, the Beginner's Guide to Digital Painting in Photoshop Elements and the successful Kickstarter campaign, Sketch Workshop.

Most helpful customer reviews

0 of 0 people found the following review helpful.
This seems like a good way to get to know the software ...
By Cicada
I have always wanted to learn how to create characters in 3D for all the various art work that I want to do. This seems like a good way to get to know the software and have fun learning the various steps to do all that.

2 of 3 people found the following review helpful.
NOT for "BEGINNERS"!
By TennisMasters
Not a "Beginners" book at all... don't buy this if you are are not experienced with Maya! A very technical book with hard to follow instructions.
I was looking for a book to help me model human forms better.. and well this book takes it too far imo. Like I said.. it's very technical and has a lot of reading.. I regret buying this book.. got it used.. but still not what I was after. It did get me into MUDBOX.. but that's about it.

6 of 6 people found the following review helpful.
Indepth guide to 3D character modelling in Maya
By Parka
[[VIDEOID:210e9533777a566c83f85938d9258e9c]]Beginner's Guide to Character Creation in Maya is one of the more detailed and in depth book that covers 3D character modelling with Maya.

The first thing you need to know is the book not only covers Maya, but also uses Mudbox for some of the modelling. The software used are Maya 2015 (Service Pack 2), Mudbox 2015, Photoshop CS6 and Nuke. You can probably still use software that are one or two versions older but the book does mention new features that are only available in the new software.

Second thing to note is there are more than 30 hours of video files that accompany the lessons. The video files are huge, like 59GB. Unlike other books, 3Dtotal has opted to use Bittorrent for distributing the files this time and the download speed is rather slow. If there are no seeders, then technically speaking you can't even download the file. I would have imagined that there would be at least one seeder, like you know, from 3Dtotal themselves. They should have just split up the files to go with the chapters or even page numbers. Then readers would not have to download such big files at one go, or go through the wait for seeders to appear.

Alright, about the book...

The chapters are namely

1. Pipeline and interface
2. Anatomy, modeling and sculpting
3. Texturing and shading in Maya and Mudbox
4. Rigging and deformation in Maya
5. Locomotion and animation in Maya
6. Lighting and rendering in Maya

The book covers not only modelling but also helps you to understand the pipeline workflow. That's so that you can share your assets for others to work on while you continue to touch up your model.

The book is written for beginners and covers only the tools you'll use for modelling. The tools would be those commonly used for polygon modelling. You can come in with absolutely no knowledge on Maya although it would definitely be less intimidating if you have already worked on Maya before. The Maya interface is covered in the first chapter.

This book really goes into the details. There's a rather lengthy coverage on the muscles and bones in the anatomy chapter. Generally speaking, the book not only covers the technical aspects, but also wants you to understand the rationale behind. Like why do you model something this way? How do you mimic the way the human body moves in a believable manner. And before you can start to animate your walk cycle, animation concepts are presented.

For texturing, there's a section that talks about the skin and how you can prepare reference images for use as texture files, e.g. how you should set up your photoshoot to capture accurately coloured photo reference.

The last chapter talks about lighting and rendering.

The author and instructor is Jahirul Amin is a 3D trainer at Double Negative, a visual effects/CGI company in London. That guy is a pro and you can tell by the content written and this thick 296-page book. The instructions are clear and easy to follow. There are numerous screenshots provided to show you what they are talking about.

Overall, this is a rather comprehensive course, and a great book for beginners to 3D character modelling in Maya. There's so much content you'll probably have to spend a week or two to really complete all the lessons. And then there are those 30 hours of video files to sweeten the deal (provided you have no problems downloading them).

(See more pictures of the book on my blog. Just visit my Amazon profile for the link.)

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Jumat, 10 Desember 2010

[F807.Ebook] Download PDF A Million Miles Away, by Lara Avery

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A Million Miles Away, by Lara Avery

Twin sisters Kelsey and Michelle Maxfield look identical -- but they couldn't be more different. Kelsey is the captain of the dance team and loves her cute college boyfriend, Davis. Michelle is a free-spirited artist and flits from one guy to the next, the latest a soldier recently deployed to Afghanistan. Despite their differences, Kelsey and Michelle can't live without each other--until, in an instant, everything changes.
When Michelle dies in a car crash, Kelsey is left without her other half. As the only one who knows about her sister's boyfriend, Peter, Kelsey takes it upon herself to find him and tell him what happened to Michelle. But when she finally connects with Peter online, he thinks that Kelsey is Michelle and says that seeing her is the one thing keeping him alive. Caught up in the moment, Kelsey can't bear to break his heart with the truth, so she lets Peter believe that she is Michelle.
Kelsey keeps up the act, pretending to be her sister, and soon she can't deny that she's falling, hard, for the one boy she shouldn't want.
Lara Avery delivers a breathtaking story of love and loss that is guaranteed to sweep you off your feet.

  • Sales Rank: #1228033 in Books
  • Published on: 2015-07-07
  • Released on: 2015-07-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.13" w x 6.00" l, 1.27 pounds
  • Binding: Hardcover
  • 320 pages

From School Library Journal
Gr 9 Up—Kelsey Maxfield's identical twin sister, Michelle, is killed in a car crash during their senior year just after Michelle's boyfriend, Peter, has been deployed to Afghanistan. While coping with the loss and trying to get back to normal, Kelsey stumbles upon a Skype session with Peter. Not sure how to tell him about Michelle's death, she decides to keep it a secret and leads him to believe that she is Michelle. Kelsey carries on the long distance relationship. Eventually, she gets up the courage to relay the message through a video, only to find out that Peter never receives it, which leads to more problems. While the story holds true to the deception between Kelsey and Peter and is somewhat romantic, other issues are introduced when Kelsey finally comes clean, making the plot feel uneven and disjointed in places. The adult characters are forever absent and more wrapped up in themselves than the teens. Wondering how Peter will react to the deception will keep readers interested. VERDICT Those who are looking for something similar to Nicholas Sparks will appreciate this light romance.—Karen Alexander, Lake Fenton High School, Linden, MI

Review
"This is definitely several steps above the standard romance; Avery is a voice to watch in this genre."―Booklist

"Those who are looking for something similar to Nicholas Sparks will appreciate this light romance."―SLJ

"Romantic."―VOYA

"A Million Miles Away completely wrecked me. Romantic and heartbreaking. A must-read for anybody with a sister--and anybody without one, too."―Katie Cotugno, author of How to Love and 99 Days

"Love, loss, sisterhood, deceit--the stakes are high in this captivating romance. Kelsey's story is beautifully told, equal parts gut-wrenching and heartwarming."―April Lindner, author of Jane and Love, Lucy

About the Author
Lara Avery is an editor at Revolver and the author of Anything But Ordinary, which Booklist praised for its "tender and lyrical prose." Raised in Kansas, where A Million Miles Away is set, she now lives in Minneapolis, Minnesota.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Tough to like the main character
By QueenBook
I received an ARC from the publisher via NetGalley in exchange for an honest review. I have a hard time with deception in romance, so I should have known this would be a difficult book for me, but I can't resist a man in uniform. When Michelle dies in a car accident, Kelsey can't bear to tell her identical twin's newly deployed boyfriend. She pretends to be her twin with the intention of waiting until Michelle's death is less of a blow, but she falls in love with him herself and knows she will lose the last thread binding her to her sister if she tells him the truth. Kelsey's ongoing lie is probably the biggest bone of contention readers will have with this book because it isn't actually a bad read at all. I just had such a hard time sticking it out because I disliked Kelsey so much. I think it is hard to get past a narrator in a book who is unlikeable, and the author doesn't do much to change reader's opinions of her until nearly the end of the book. Perhaps if she hadn't come across as so shallow for the first third of the book, I would have been more sympathetic, but it is the transformation she goes through that adds depth to her character, so she has to be shallow at the beginning. I won't bother to analyze the other elements of the book in this review because they are only relevant if you can tolerate the narrator. Basically, if you can handle lies in a romantic relationship long enough to get the whole story, you will be able to enjoy this book. If you have a hang up, as I do, about a relationship that develops around a major deception, you are probably going to dump this book after the first 25%.

2 of 2 people found the following review helpful.
Unlikeable Main Character
By Cynthia Parten
I received this ARC from NetGalley in exchange for my review.

This book is kind of hard to rate because I am still unsure about my feelings towards it. I didn't hate it, but I didn't really like it that much either. But I guess I liked it just a little bit more than I hated it. I didn't feel all the emotional pull that I thought I would with this book. Maybe it's because everyone's grief seemed kind of removed. They find out about Michelle's death and then suddenly it's after the funeral. And the author kind of sped through the weeks following the funeral as well. I saw her parents' grief, kind of, but not the grief of any of Michelle's friends. And I didn't really see much grief from Kelsey either.

When it came to Peter, I did like him but I thought he moved fast with Michelle. When Kelsey met Peter for the first time (right before Michelle died), he told Kelsey he was on love with Michelle. This was despite the fact that they had only been dating for three weeks and a lot of that time was long distance. I just didn't buy it, especially since he couldn't even tell the difference between the twins. I know a lot of people didn't find it very realistic that Peter couldn't tell the difference between Kelsey and Michelle. I didn't have that much problem believing that part. Peter and Michelle hadn't known each other for very long after all. That just proves my point that he didn't know Michelle very long before declaring that he loved her.

I did kind of understand why Kelsey was doing what she was doing . . . at first. But I was annoyed because most of the time she was falling for Peter, she had a boyfriend. She had a very nice boyfriend. Yet she was pretending to be Michelle with this other guy and she even went on a trip with him behind her boyfriend's back. Then she gets mad at said boyfriend and starts trying to pick a fight with him just because she feels guilty about Peter. I just don't like cheating in a book. That's one of my things, I guess. 70% of the book, I just wanted her to be honest with EVERYONE. I guess that would have made a much shorter book though. Despite all the issues and drama, I was kind of rooting for Kelsey and Peter. I liked the ending, but I felt it was maybe wrapped up a little too neatly for my taste.

1 of 1 people found the following review helpful.
Story of love and loss and letting go
By Nicole Hewitt
A Million Miles Away is a story about how loss affects us and how we sometimes try to hold on to the past and refuse to let go. This was the case for Kelsey, who couldn’t figure out how to move on from her twin sister’s death. Her parents chose a grief support group, but Kelsey didn’t want anything to do with that. But when Michelle’s boyfriend reaches out to her from Afghanistan, Kelsey can’t bring herself to tell him that Michelle is dead – at first she just doesn’t know how to say the words, but then she feels like this is the one way she can keep her sister close. Keep her alive. Plus, Michelle’s boyfriend, Peter, sees Michelle as a lifeline when everything else in his life is turned upside down by war. Kelsey tells herself that telling him the truth would only harm him – so she pretends to be Michelle.

What I loved:

The concept of twins switching.
For some reason, I’ve always been fascinated by this concept of twins switching places. I don’t know why, but I love it. Peter and Michelle hadn’t been together for all that long, and even though he said that he loved Michelle, they didn’t really know each other all that well. So, when Kelsey and Peter start talking, and they actually do form a bond, it’s really Kelsey he’s falling for – even though she tries to fill in some Michelle-like details, her personality is her own. So, I bought into the romance and the concept of the switch pretty easily (this would have been a lot harder if Peter had actually known Michelle better – the fact is that he was really in love with an idea of her and with something that tied him to home when he was about to go off to war.)

Peter’s experiences.
Peter’s life in Afghanistan was a mixture of horrible and fascinating, and it was easy for me to understand why Kelsey would feel connected to him right away considering his circumstances. He saw her as a lifeline, and she couldn’t help but fulfill that role for him when she saw how the war was affecting him. I appreciated seeing snippets of the war through Peter’s eyes, and I sympathized with the pain and confusion that he sometimes went through. I could easily see why Kelsey would feel the same – and how she was able to convince herself that what she was doing was okay.

The romance.
I also appreciated that the romance between Peter and Kelsey built slowly – at least on her side. She really was just acting at first, but she slowly started to realize how important her calls with Peter were to her and how much she looked forward to them. The romance kind of snuck up on her, and once she realized she loved him she knew it would be even harder to tell him the truth.

The negatives:

Cheating and lying.
My biggest issue with the romance was the fact that Kelsey already had a boyfriend – of three years. I just plain have issues with cheating, and I couldn’t help but feel kind of horrible for Kelsey’s boyfriend the whole time things were building between her and Peter. Plus, it got to the point where the all-around dishonesty (between Kelsey and Peter AND Kelsey and her boyfriend) made her harder to sympathize with. I understood it for a while, but you knew it was just a matter of time before it all blew up in her face. Still, overall, I definitely felt for Kelsey and could kind of understand how she got to where she ended up – and I was definitely rooting for her and Peter to work things out in the end!

Overall, I thought this book was a really good read and I’d recommend it (as long as cheating isn’t one of those issues that you just can’t get past in a book). I teetered and tottered a little bit on my rating for this one, but in the end I gave it 4/5 stars.

***Disclosure: This book was provided to me by NetGalley and the publisher in exchange for an honest review. No other compensation was given and all opinions are my own.***

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Rabu, 08 Desember 2010

[H711.Ebook] Ebook Download HVAC Systems Design Handbook, by Roger W. Haines, C. Lewis Wilson

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HVAC Systems Design Handbook, by Roger W. Haines, C. Lewis Wilson

This title is update to a classic reference providing a treasury of applications, on-the-job insights, data and direction needed to design effective and efficient HVAC systems for residential, commercial and industrial systems.

  • Sales Rank: #4918244 in Books
  • Published on: 2003-02-28
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x 1.68" w x 6.20" l, 1.10 pounds
  • Binding: Hardcover
  • 513 pages

From the Back Cover
UPDATED TO REFLECT THE LATEST CODES AND SPECIFICATIONS

ONE-STOP GUIDANCE ON DESIGNING EFFICIENT AND EFFECTIVE RESIDENTIAL, COMMERCIAL, AND INDUSTRIAL HVAC SYTEMS

Here’s an all-in-one working tool for every phase of the HVAC design process – packed with a treasury of applications and invaluable on-the-job insights that reflect the author’s half-century in the HVAC field.

Featuring today’s only truly integrated approach to the subject, the Handbook offers thorough coverage of the latest technological and procedural advances in the design and installation of HVAC systems. The Fourth Edition offers completely updated code references, new coverage of energy conservation and digital control practice, and a greater focus on indoor air quality, including maintenance and operation.

Enhanced by more than 300 job-simplifying illustrations and tables, the Handbook provides HVAC design pros with everything they need to design, operate, and maintain peak-performing HVAC systems.

About the Author
Roger W. Haines, P.E. is widely recognized as one of the foremost authorities in the field of HVAC Engineering. He is the author of Roger Haines on HVAC Controls and is a frequent contributor to HPAC Engineering Magazine. Mr. Haines resides in Laguna Woods,California.

C. Lewis Wilson, P.E. is Chairman and CEO of the Heath Engineering Company and former Professor of HVAC at the University of Utah, Brigham Young University, and the University of New Mexico. Mr. Lewis is a resident of Salt Lake City, Utah.

Most helpful customer reviews

17 of 17 people found the following review helpful.
HVAC Systems Design Handbook Review
By A Customer
As a newcomer to the HVAC industry I found the book to very informative...it was presented in such a way, however, that makes it very hard to read. SMACNA puts out a few manuals that are less "dry" and a lot easier to read. I would recommend that anyone who is interested in this publication to have some general knowledge of the HVAC industry in order to make understanding this book easier.

7 of 7 people found the following review helpful.
Not as expected.
By Hubert M.
I found this book informative rather than practical as implemented by publisher to be a working tool primarily for desingers. People with basic knowlege of HVAC might enjoy reading this book to get some general but not in-depth engineering knowlege of HVAC systems, but there is not much for designers who need analytical information and knowledge of calculation procedures.

21 of 22 people found the following review helpful.
Disapointment
By A Customer
This book is aimed at the engineering design professional but I found it to be a major disapointment. There are a number of good texts available on this subject but this one, like so many of Roger Haines' other books, is a superficial overview with little if any practical information.

See all 5 customer reviews...

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Senin, 06 Desember 2010

[K848.Ebook] PDF Ebook East West Street: On the Origins of Genocide and Crimes Against Humanity, by Philippe Sands

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East West Street: On the Origins of Genocide and Crimes Against Humanity, by Philippe Sands

East West Street: On the Origins of Genocide and Crimes Against Humanity, by Philippe Sands



East West Street: On the Origins of Genocide and Crimes Against Humanity, by Philippe Sands

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East West Street: On the Origins of Genocide and Crimes Against Humanity, by Philippe Sands

When human rights lawyer Philippe Sands received an invitation to deliver a lecture in the western Ukrainian city of Lviv, he began to uncover a series of extraordinary historical coincidences. It set him on a quest that would take him halfway around the world in an exploration of the origins of international law and the pursuit of his own secret family history, beginning and ending with the last day of the Nuremberg Trials.Part historical detective story, part family history, part legal thriller, Philippe Sands guides us between past and present as several interconnected stories unfold in parallel. The first is the hidden story of two Nuremberg prosecutors who discover, only at the end of the trials, that the man they are prosecuting, once Hitler's personal lawyer, may be responsible for the murder of their entire families in Nazi-occupied Poland, in and around Lviv. The two prosecutors, Hersch Lauterpacht and Rafael Lemkin, were remarkable men, whose efforts led to the inclusion of the terms crimes against humanity and genocide in the judgement at Nuremberg, with their different emphasis on the protection of individuals and groups. The defendant was no less compelling a character: Hans Frank, Hitler's personal lawyer, friend of Richard Strauss, collector of paintings by Leonardo da Vinci, and governor-general of Nazi-occupied Poland.A second strand to the book is more personal, as Sands traces the events that overwhelmed his mother's family in Lviv and Vienna during the Second World War and led his grandfather to leave his wife and daughter behind as war came to Europe. At the heart of this book is an equally personal quest to understand the roots of international law and the concepts that have dominated Sands' work as a lawyer. Eventually he finds unexpected answers to his questions about his family in this powerful meditation on the way memory, crime, and guilt leave scars across generations.

  • Sales Rank: #4361178 in Books
  • Brand: imusti
  • Published on: 2016
  • Original language: English
  • Dimensions: 9.53" h x 1.65" w x 6.38" l, 1.46 pounds
  • Binding: Hardcover
Features
  • WEIDENFELD NICOLSON

Review
Acclaim for Philippe Sands’
EAST WEST STREET
 
“An indispensable book.”
—Jack Fischel, Hadassah Magazine
 
“Remarkable sleuthing.”
—Christopher R. Browning, The New York Review
 
“An intimate and important tale . . . vivid . . . engaging . . . A kind of mystery-solving journey . . . remarkable.”
—John Tirman, The Washington Post
 
“A tour de force . . . penetrating . . . A pillar of the emerging genre of third-generation investigation into the legacy of the European Jewish apocalypse . . . This is a history that is both personal and universal . . . Equal parts legal scholarship, memoir and multitude of mysteries, told with admirable suspense and elocution . . . Here we find both the detail of concepts and the detail of personal lives and geographies . . . Sands acts as archivist and archaeologist, traveler and historian—but also as horrified observer.”
—Sarah Wildman, Jewish Daily Forward
 
“A monumental and profoundly important book . . . A brilliant account that reads as part history, part human rights theory, and part thriller . . . Sands writes like a skilled archeologist digging into the bloodied soil of Europe . . . A riveting melding of memoir and history . . . A powerful book, exquisitely written and profound in its implications and importance . . . A singular accomplishment . . . An inspirational book that readers will cherish for years to come.”
—Michael N. Dobkowski, Jewish Book Council
 
“Dazzling, shattering. East West Street is one of the most extraordinary books that I have ever read.”
—Antonia Fraser
 
“A masterpiece that is part detective story and part exploration of family history, memory, crime, guild, loss and law . . . Exceptionally gripping and moving . . . East West Street is described by John Le Carré as ‘a monumental achievement’ and he is right. It is work of the highest order and it deserves to be as widely read as possible. It is, I reiterate, a masterpiece.”
—Iain Martin, Reaction
 
“Supremely gripping . . . Sands has produced something extraordinary . . . Sands tells it not just as history but as a family memoir, a detective thriller and a meditation on the power of memory . . . Written with novelistic skill, its prose effortlessly poised, its tone perfectly judged, the book teems with life and high drama . . . One of the most gripping and powerful books imaginable.”
—Dominic Sandbrook, The Sunday Times
 
“Remarkable . . . a voyage of discovery . . . a riveting odyssey . . . Sands elicits the most extraordinary revelations from his subjects.”
—Isabel Hull, London Review of Books
 
“Magnificent and compelling . . . Sands has created a masterpiece . . . It should be read by everyone.”
—Marc Mangel, Distinguished Research Professor of Mathematical Biology at University of California, Santa Cruz
 
“A rare and unusual event: a book about international law that makes you want to keep reading.”
—Cullen Murphy, Vanity Fair
 
“Outstanding . . . Consistently intriguing . . . A fusion of personal and professional interest, with Sands delving into his family’s cordoned-off past to unearth concealed truths and trace the circumstances that led to the birth of his chosen field of humanitarian law . . . Powerful and poignant, but also original . . . Ultimately, Sands’s multifaceted book stands triumphantly alone. It even-handedly charts four separate lives and skillfully explores a beleaguered city with blurred borders . . . It amplifies the roar of history, dramatizes the depravity of, and the moral struggle against, what Primo Levi called the “infernal order” that is Nazism . . . It is a fact-finding mission, a gripping courtroom drama, a tale, ultimately and cathartically, of good triumphing over evil. In Sands’s pages, many beautifully adorned with photos, maps, letters—evidence—we see the piece-by-piece reconstruction of a lost world, and the development of ideas that would help safeguard a new one.”
—Malcolm Forbes, New Republic
 
“East West Street is the fascinating story of a distinguished jurist who tries to untangle the secret wartime history of his family, as he masterfully brings to life the riveting legal drama that forced the men who ordered genocide to face justice. His suspenseful investigative memoir breaks new ground on World War II, as he takes readers on a journey across Europe that is rendered in lush and vivid prose.”
—Anne-Marie O'Connor, author of The Lady in Gold
 
“Sands is a fine writer and sets his scenes so compellingly and earnestly that his enterprise succeeds . . . Engrossing, luminous and moving.”
—Samuel Moyn, The Wall Street Journal
 
“A compelling family memoir intersects with the story of the Jewish legal minds who sowed the seeds for human rights law at the Nuremberg trials . . . important and engrossing . . . The surprise is that even when charting the complexities of law, Sands’s writing has the intrigue, verve and material density of a first-rate thriller . . . He can magic whole histories of wartime heroism out of addresses eight decades old. Or, chasing the lead of a faded photograph, he can unearth possible alternate grandparents and illicit liaisons to be verified only by DNA tests . . . Exceptional.”
—Lisa Appignanesi, The Guardian
 
“Sands proceeds in the manner of certain historians . . . he also works in the manner of the author of thrillers . . . In Sands’s history, as in all great novels, we encounter characters who, though seemingly secondary, are essential to the plot . . . And all the while Sands works in the way of artists like Filippo Lippi, who painted himself into the corner of his ‘Coronation of the Virgin’ and ‘The Funeral of Saint Stephen’ . . . The result is a narrative, to my knowledge unprecedented . . . We have in Sands’s East West Street a machine of power and beauty that should not be ignored by anyone in the United States or elsewhere who would believe that there are irreparable crimes whose adjudication should not stop at the border . . . Barack Obama and his successors would be well advised to move to the top of their reading lists this account of the birth, amid the darkest conceivable shadows, of an unprecedented body of rights-based law, whose application has scarcely begun.”
—Bernard-Henri Lévy, New York Times Book Review (cover review)
 
“Vivid and readable . . . East West Street weaves lives together in a kind of collective biography of a generation . . . remarkable . . . compelling . . . moving and powerful.”
—Mark Mazower, Financial Times
 
“A story of heroes and loss . . . An outstanding book; a moving history [that] at times, reads like a detective story . . . Sands’s greatest achievement is the way he moves between his family story and the lives of Lauterpacht and Lemkin and how he brings their complex work to life . . . This is the best kind of intellectual history . . . a clear, astonishing story.”
—David Herman, New Statesman
 
“Gripping, profound and deeply personal . . . Excellent.”
—Mark Harrison, Holocaust Memorial Day Trust
 
“Remarkable . . . vivid . . . complex and gripping . . . East West Street is a fascinating and revealing book, for the things it explains: the origins of laws that changed our world, no less. Thoughtful, and compassionate, and important.”
—Daniel Hahn, The Spectator
 
“Moving and deep . . . an astonishing work in many ways: on the personal level, on the level of coincidence, on the epic level involving most people on earth, and on the philosophical and legal level. That Sands managed to pull it off and pull it all together is remarkable. Lemkin and Lauterpacht are drawn with an artist's eye and are indelible—Lauterpacht's reserve juxtaposed against Lemkin's nervousness . . . The issue of the prosecution of genocide versus crimes against humanity is fascinating and was made clear to me for the first time . . . Bravo! . . . A gargantuan achievement.”
—Jane Alexander
 
“This remarkable book is partly a lawyer's quest to understand the roots of international law (one that is surprisingly fascinating for the non-legal reader) and a riveting family memoir . . . Extraordinary . . . astonishing . . . a considerable feat . . . profoundly moving.”
—Caroline Sanderson, The Bookseller (Book of the Month)
 
“A book like no other I have ever read—unputdownable and unforgettable.”
—Orlando Figes
 
“Beautiful and necessary.”
—A.L. Kennedy
 
“Astonishing and important.”
—Louis Begley
 
“East West Street is a strange and beautiful object: at once a genealogy of international human rights law, and a delicate family portrait . . . Meticulous, moving, compulsive.”
—Adam Thirlwell
 
“This book transcends genre, breaking convention to create something fascinating and engrossing. Sands manages to weave the most personal of stories through the most globally impactful: the inclusion of the term ‘crimes against humanity’ in the judgement at Nuremberg.”
—Steven Cooper of Waterstones, The Bookseller
 
“Engrossing . . . remarkable . . . part family memoir, part biographical essay, part historical exploration . . . A reminder of the incredible riches that are to be found in archives, parish records, attics and old suitcases when there is the energy and persistence to keep digging.”
—Caroline Moorehead, Literary Review
 
“In East West Street, Philippe Sands brings all the power of his formidable intellect, his inquisitive spirit and his emotional imagination to bear on a complicated tangle of personal, legal and European history. In a gripping narrative that is tender yet dispassionate, intensely felt and meticulously researched, Sands uncovers the surprising affinities and divergences among the parallel lives of three men, two celebrated, one unknown, whose struggles, sorrows, accomplishments and defeats, large and small, help us to understand and, more, to feel the mittel-European civilization their lives embodied, a whole world that was destroyed and reinvented within the span of a single lifetime.”
—Michael Chabon, author of The Amazing Adventures of Kavalier & Clay
 
“Gripping . . . Sands’s study achieves a balance between the individual and the political that brings the events of the Holocaust into new focus . . . Readers interested in history, political science, and/or religion shouldn’t miss this compelling work with unforgettable characters.”
—Margaret Heller, Library Journal
 
“In a triumph of astonishing research, Sands has brilliantly woven together several family stories which lead to the great denouement at the Nuremberg tribunal. No novel could possibly match such an important work of truth.”
—Antony Beevor (English Military Historian)
 
“An engrossing tale of family secrets and groundbreaking legal precedents . . . a tense, riveting melding of memoir and history . . . From letters, photographs, and deeply revealing interviews, the author portrays Nazi persecutions in shattering detail . . . Vastly important.”
—Kirkus Reviews (Starred Review)
 
“A monumental achievement … a profoundly personal account of the origins of crimes against humanity and genocide, told with love, anger and precision.”
—John le Carré

About the Author

Philippe Sands is professor of law at University College London and a practicing barrister at Matrix Chambers. He frequently appears before international courts, including the International Criminal Court and the World Court in the Hague, and has been involved in many of the most important cases of recent years, including Pinochet, Congo, Yugoslavia, Rwanda, Iraq, and Guantanamo. His previous books include Lawless World and Torture Team. He is a frequent contributor to the Financial Times, the Guardian, New York Review of Books, and Vanity Fair, makes regular appearances on radio and television, and serves on the boards of English PEN and the Hay Festival.



David Rintoul is a stage and television actor. A former student of the Royal Academy of Dramatic Art in London, he has worked extensively with the Royal National Theatre and the Royal Shakespeare Company. He has also appeared regularly on BBC television, starring as Mr. Darcy in the 1980 adaptation of Pride and Prejudice and as Doctor Finlay in the television series of the same name.

Excerpt. © Reprinted by permission. All rights reserved.
Prologue
An Invitation
Tuesday, October 1, 1946,
Nuremberg’s Palace of Justice
 
A little after three o’clock in the afternoon, the wooden door behind the defendant’s dock slid open and Hans Frank entered court- room 600. He wore a gray suit, a shade that was offset by the white helmets worn by the two somber-faced military guards, his escorts. The hearings had taken a toll on the man who had been Adolf Hitler’s personal lawyer and then personal representative in German-occupied Poland, with his pink cheeks, sharp little nose, and sleeked-back hair. Frank was no longer the slender and swank minister celebrated by his friend Richard Strauss. Indeed, he was in a considerable state of perturbation, so much so that as he entered the room, he turned and faced the wrong direction, showing his back to the judges.

Sitting in the packed courtroom that day was the professor of international law at Cambridge University. Balding and bespectacled, Hersch Lauterpacht perched at the end of a long wooden table, round as an owl, flanked by distinguished colleagues on the British prosecution team. Seated no more than a few feet from Frank, in a trademark black suit, Lauterpacht was the one who came up with the idea of putting the term “crimes against humanity” into the Nuremberg statute, three words to describe the murder of four million Jews and Poles on the territory of Poland. Lauterpacht would come to be recognized as the finest international legal mind of the twen- tieth century and a father of the modern human rights movement, yet his interest in Frank was not just professional. For five years, Frank had been governor of a territory that included the city of Lemberg, where Lauterpacht had a large family, including his parents, a brother and sister, their children. When the trial had opened a year earlier, their fate in the kingdom of Hans Frank was unknown.

Another man with an interest in the trial was not there that day. Rafael Lemkin listened to the judgment on a wireless, from a bed in an American military hospital in Paris. A public prosecutor and then a lawyer in Warsaw, he fled Poland in 1939, when the war broke out, and eventually reached America. There he worked with the trial’s American prosecution team, alongside the British. On that long journey, he carried a number of valises, each crammed with documents, among them many decrees signed by Frank. In studying these materials, Lemkin found a pattern of behavior, to which he gave a label, to describe the crime with which Frank could be charged. He called it “genocide.” Unlike Lauterpacht, with his focus on crimes against humanity, which aimed at the protection of individuals, he was more concerned with the protection of groups. He had worked tirelessly to get the crime of genocide into Frank’s trial, but on this last day of the trial he was too unwell to attend. He too had a personal interest in Frank: he had spent years in Lwów, and his parents and brother were caught up in the crimes said to have been committed on Frank’s territory.

“Defendant Hans Frank,” the president of the tribunal announced. Frank was about to learn whether he would still be alive at Christmas, in a position to honor the promise he had recently made to his seven-year-old son, that all was fine and he would be home for the holiday.
 
Thursday, October 16, 2014,
Nuremberg’s Palace of Justice
 
Sixty-eight years later I visited courtroom 600 in the company of Hans Frank’s son Niklas, who was a small boy when that promise was made.

Niklas and I began our visit in the desolate, empty wing of the disused prison at the rear of the Palace of Justice, the only one of the four wings that still stood. We sat together in a small cell, like the one in which his father spent the better part of a year. The last time Niklas had been in this part of the building was in September 1946. “It’s the only room in the world where I am a little bit nearer to my father,” he told me, “sitting here and thinking of being him, for about a year being in here, with an open toilet and a small table and a small bed and nothing else.” The cell was unforgiving, and so was Niklas on the subject of his father’s actions. “My father was a lawyer; he knew what he did.”

Courtroom 600, still a working courtroom, was not greatly changed since the time of the trial. Back in 1946, the route from the cells required each of the twenty-one defendants to travel up a small elevator that led directly to the courtroom, a contraption that Niklas and I were keen to see. It remained, behind the dock at which the defendants sat, entered through the same wooden door, which slid open as noiselessly as ever. “Open, shut, open, shut,” wrote R. W. Cooper of The Times of London, the former lawn tennis correspondent who reported each day on the trial. Niklas slid the door open and entered the small space, then closed the door behind him.

When he came back out, he made his way to the place where his father sat during the trial, charged with crimes against humanity and genocide. Niklas sat down and leaned forward on the wooden rail. He looked at me, then around the room, and then he sighed. I had often wondered about the last time his father passed through the elevator’s sliding door and made his way to the defendant’s dock. It was something to be imagined and not seen, because cameras were not allowed to film the last afternoon of the trial, on Tuesday, October 1, 1946. This was done to protect the dignity of the defendants.

Niklas interrupted my thoughts. He spoke gently and firmly. “This is a happy room, for me, and for the world.”

From the book EAST WEST STREET by Philippe Sands, copyright © 2016 by Philippe Sands. Published by arrangement with Alfred A. Knopf, an imprint of The Knopf Doubleday Publishing Group, a division of Penguin Random House LLC.

Most helpful customer reviews

30 of 34 people found the following review helpful.
A bit disjointed but...
By Jill Meyer
British International rights lawyer Phillipe Sands's new book, "East West Street: On the Origins of 'Genocide' and 'Crimes Against Humanity'", is a disjointed look at what I can only say are several interesting subjects, put together in one book. Sands - the maker of an excellent documentary - "What Our Fathers Did: A Nazi Legacy" - combines a look at his own family's flight from Vienna to Paris, the lives of the two men who coined the terms, "Genocide" and "Crimes Against Humanity", the life of Hans Frank (the "Butcher of Poland"), as well as the Nuremberg Trials. This is a lot to cover in one book, and the basis of it all is the town of Lemberg/Lviv/Lwow in today's Ukraine..

Phillipe Sands' mother's family was originally from Zolkiew, a small town near the larger city of Lviv. His grandfather eventually left the area and moved to Vienna after WW1. It was there that he met his wife-to-be, and prospered as the owner of liquor stores. The family's story is the same as many others who were bullied and beaten after the Anschluss in 1938, but Sands' grandparents and mother were able to find safety of a sort in Paris and survived the war. Most of the other family members were killed in the camps or on the killing fields.

But also from the Lviv area and growing up at the same time as Sands' grandfather were two men - Rafael Lemkin and Hersch Lauterpacht - both lawyers who were able to flee the Nazis. Lemkin eventually coined the word "genocide" and Lauterpacht, "Crimes Against Humanity". The use of both words - but in particular "genocide" - were used at the Nuremberg Trials.

Another section of the book deals with Nazi lawyer, Hans Frank, who ruled over most of WW2 Poland. Millions of people were murdered in the camps and Frank was condemned to death at Nuremberg. Sands' examines the trial records to show "genocide" was used...by some judges and lawyers. Frank's young son, Niklas, and Horst, the son of Otto von Wachter, grew up with widely differing views of their fathers' and what they did in the war. They're the subjects of Sands' film, "What Our Fathers Did". (I'm linking to the review of the documentary at the bottom of this review)

This review has to be the most difficult review I've ever written. If the review is disjointed - and it is - the book the review is based on is all over the place, too. BUT, it is an excellent book. Somehow Phillipe Sands pulls it all together and even if the reader is left with, "huh" at the end, he'll have learned a lot. Sands is a good writer - and film maker - and I have to believe the book is as good as it can be.

http://www.amazon.com/review/RJNMB5WU3ROAQ/ref=cm_cr_dp_title?ie=UTF8&ASIN=B017A53BTY&channel=detail-glance&nodeID=2625373011&store=movies-tv

1 of 1 people found the following review helpful.
Review from Havok Journal.
By krama00l
A Review of East West Street: On the Origins of Genocide and Crimes against Humanity by Philippe Sands

East West Street: On the Origins of Genocide and Crimes against Humanity is the latest major work by the Franco-British academic Philippe Sands. East West Street explores the origins of the legal terms “genocide” and “crimes against humanity,” and how those terms made it in to the legal lexicon of international law at the close of World War II as the Allied governments grappled with the herculean task of trying to account for some of the most horrible crimes in the history of mankind.

east-west-streetUnlike other works about atrocity crimes that tend to be overly legalistic and frankly pretentious, Sands engages this topic in a fresh, and at times deeply personal way. He focuses on a series of fascinating coincidences involving four individuals whose destinies were intertwined although none of them ever realized it.

First, Sands explores the careers of two prolific international law scholars who rose to fame in the 1930s and 1940s. The Austrian-Polish law scholar Hersch Lauterpacht would be responsible for operationalizing and giving legal effect to the term “crimes against humanity” during the Nuremburg war crimes trials. The Belarusian scholar Raphael Lemkin would in turn invent and insert the term “genocide” into the same war crimes tribunal.

If this sounds too technical or boring for most readers, have no fear. Sands presents both concepts in the context of the crimes committed by Adolph Hitler’s personal attorney Hans Frank, also known as Nuremberg Prisoner number seven, who incidentally was the military governor of the city in which both Lauterpacht and Lemkin studied law. So that the personal nature of the Holocaust is not lost in the mire of legal and historical writing, Sands provides another twist to the story. Sands’ own grandfather was from the same city where both Lauterpacht and Lemkin studied law, and the same one that Frank would rule with an iron fist, eventually exterminating every Jew in the city including the families of Lauterpacht and Lemkin, and Philipe Sands’ own grandfather.

Despite the technical nature of this book, it remains highly readable even for readers with an non-legal background. At times, sections that focused on Sands’ family slightly distracted from main effort of the book, and the work could have been effectively separated into two separate books. Additionally, interjected throughout are tales of heroism and horror, and of incredible humanity counterbalanced by living nightmares. These sections are riveting in their own right, but do very little to illuminate the primary discussion about international criminal law, and often feel misplaced.

East West Street brings up another recurring question about World War II. Why, in the twilight of 2016, do we continue to be fascinated by the Holocaust, and why do writers continue to produce works about the crimes committed by the Nazis? The atrocities committed by fascist Germany are well-documented. Almost all of the Nazi perpetrators from the Holocaust are now gone, so why write yet another book on the subject?

The answer may be found in current events. On September 27, 1979, President Jimmy Carter at the presentation of the report of the President’s Commission on the Holocaust said: “Out of our memory … of the Holocaust we must forge an unshakable oath with all civilized people that never again will the world stand silent, never again will the world…fail to act in time to prevent this terrible crime of genocide … we must harness the outrage of our own memories to stamp out oppression wherever it exists.”

Never again. Yet, since the Holocaust the world continues to fail to prevent genocides and other atrocity crimes including crimes against humanity. Since 1979, Serb forces have committed genocide in the former Yugoslavia, and the Rwandan civil war produced atrocities perpetrated by both sides including a genocide against the Tutsi by the Hutu majority. Horrible crimes have been committed in the Central African Republic, Sudan, South Sudan, and other places. Even as I write this, civilians are being slaughtered indiscriminately in Syria by the Asad regime, and Yezidi and Turkmen captives are experiencing nightmarish captivity by the so-called Islamic State. And yet nations fail to stop it.

With East West Street, Philippe Sands reminds us, once again, why we continue to say “never again.” The Holocaust is that pesky reminder to the international community that it still gets it wrong. Unlike many failed responses to atrocities today, however, Sands also reminds us that once upon a time, lawyers in the governments of the free world did more than just talk, and government agencies produced more than just carefully scripted talking points that fool no one. They took action in the most decisive way and attempted to forge a new legal order out of the furnaces of World War II by creating a system where even the highest ranking members of oppressive governments cannot escape accountability for their actions.

Despite its flaws, East West Street is extraordinarily provocative of thought, and evocative of our collective consciousness. It should be read by all those interested in post-conflict studies, the history of World War II, Holocaust studies, international law, or human rights.

7 of 8 people found the following review helpful.
Face to Face with Race and Mass Murderers.
By Joseph Psotka
Philippe Sands, QC (born 17 October 1960) was a lawyer at Matrix Chambers and Professor of Laws and Director of the Centre on International Courts and Tribunals at University College London. A specialist in international law, he appeared as counsel and advocate before many international courts and tribunals. He has written this very informative book on the origins of two powerful concepts in international law, “genocide and crimes against humanity” as an intertwining of his personal family history in the city of Lviv/Lwow/Lemberg around the time of the Nazi General Gouvernement ruled by Hans Frank. The denouement of his history occurs in Nuremburg/Nürnberg at the famous trials of the leading Nazis, where both “crimes against humanity” and “genocide” first entered the judicial record. His family history wove around the lives of the creators of these concepts, Hersh Lemkin and Rafael Lauterpacht, both internationally recognized experts in international law who have still left a powerful influence. Sands provides a brief and unsatisfying personal view of their concepts at the end.

This review focuses on his presentation of these two key concepts in international law, which is as tortured and intertwined as his family history. Quotations from the book are in boldface. He begins his history with Lauterpacht’s first involvement with the “Constitutional Court, bringing Lauterpacht into direct contact with a new idea, in Europe if not America: individuals had inalienable constitutional rights, and they could go to a court to enforce those rights. This was a different model from that which protected minority rights, as in Poland…. His thesis—to use general principles of national law to strengthen international obligations—was published in May 1927, to great scholarly acclaim.” Sands was a student of Lauterpacht’s and so might be expected to be biased in his favor over Lemkin, but he shows an admirable even handedness in his exposition of both men’s ideas.

Rafael Lemkin presented his main ideas in a volume titled “Axis Rule in Occupied Europe, the work adopted a different approach from Lauterpacht’s, with the aim of protecting groups, for which he invented a word for a new crime, “genocide,” the destruction of groups. Lauterpacht wrote a review of Lemkin’s book for The Cambridge Law Journal, hinting that he wasn’t a great supporter of Lemkin’s ideas…. The review was skeptical about the new term and its practical utility. The implication was clear: Lauterpacht was concerned that the protection of groups would undermine the protection of individuals.”

Once the Nuremberg trials began, both men became involved although they apparently never met directly there. Lauterpacht was singularly influential in getting the charges to “refer to the atrocities against individual civilians as “Crimes Against Humanity” … A version of the formulation had been used in 1915, when the British and the Americans decried Turkish actions against Armenians, … By Article 6(c) of the charter, the tribunal’s judges were given power to punish individuals who had committed crimes against humanity, defined to cover murder, extermination, enslavement, deportation, and other inhumane acts committed against any civilian population”.

Lemkin’s analysis of the Holocaust made him a valuable member of the American legal team. “Lemkin followed the trail, the “decisive steps” that formed a pattern. The first step was usually the act of denationalization, making individuals stateless by severing the link of nationality between Jews and the state, so as to limit the protection of the law. This was followed by “dehumanization,” removing legal rights from members of the targeted group. The two-step pattern was applied across Europe. The third step was to kill the nation “in a spiritual and cultural sense”. “His focus was mainly on the treatment of “Jews, Poles, Slovenes and Russians,” but of at least one group—homosexuals—Lemkin made no mention. He wrote of the misdemeanors of the “Germans,” rather than the Nazis” making but one reference to the National Socialists, and “argued that “the German people” had “accepted freely” what was planned, participating voluntarily in the measures and profiting greatly from their implementation. The desire to protect groups did not prevent him from singling out the Germans as a group.”

In Chapter 9 Lemkin discarded “barbarity” and “vandalism” and “created a new word, an amalgam of the Greek word genos (tribe or race) and the Latin word cide (killing)… Genocide concerned acts “directed against individuals, not in their individual capacity, but as members of national groups,”... “New conceptions require new terms.” … “he’d made a proposal to the Polish government in exile in London, using the Polish word ludobójstwo, a literal translation of the German word Völkermord (murder of the peoples)”. Notice, please, that the phrase “the peoples” implies a racist view of the world that there are more than one kind of humanity, an idea implicit in the Nazis’ racism as well. Lemkin basically adopted the Nazis’ racist terminology (Voelkermord/ racial killing) and turned it against them. Lemkin fell into the simplistic conceptual error of adopting his opponents’ perspectives and in this event, continuing a “tirade against Germans with the claim that the terrible acts reflected a “militarism born of the innate viciousness of the German racial character.”... “his attack should have been on the Nazis, not the Germans. … Lemkin had fallen into a trap, adopting “biological thinking” of the kind that led to anti-Semitism and anti-Germanism.” More simply put, Lemkin’s perspective was racist. In this he agreed almost completely with the purely Nazi sentiment of a focus on a racial community in Hans Frank’s defense statement during the trial that “A thousand years will pass and still this guilt of Germany will not have been erased.” Lemkin edited his book in which “He also wrote a new section, to make the point that the “German people” were a “Kain who killed Abel”.

“Genocide having been left out of the Nuremberg Charter, Lemkin knew that the crimes listed in Article 6 still had to be elaborated into specific charges against the defendants.
On October 6, the Four Powers reached agreement on an indictment that contained four counts, the last of which was crimes against humanity. Yet genocide wasn’t introduced under this head, as Lemkin had hoped, but in count 3, on war crimes. … Genocide was extermination of racial and religious groups, against the civilian populations of certain occupied territories in order to destroy particular races and classes of people and national, racial, or religious groups, particularly Jews, Poles, Gypsies and others. … October 18, Lemkin was back in the United States, exhausted but satisfied. “I went to London and succeeded in having inscribed the charge of Genocide against the Nazi war criminals in Nuremberg,” he later wrote. “I included genocide in the indictment at the Nuremberg trials.”… Crimes against humanity and genocide were both in the trial.”
Strangely, the word ‘genocide’ after all Lemkin’s efforts did not appear in the trial proceedings themselves until the Nazis themselves helped Lemkin. “Help came from an unlikely source, Alfred Rosenberg. I am no génocidaire, Frank’s neighbor on the defendants’ front bench told the judges, speaking through his lawyer.” Given the racist views implicit in the concept of genocide, it should not have been surprising that it was the Nazis to whom its meaning appealed most directly. However, the Nazis were not the only racists at the trial, since a racist view of humanity was the prevailing common sense view of the time, (and sadly remains so today). As the lead American prosecutor pointed out “Remember Frank’s words, Jackson told the judges, that “a thousand years will pass and this guilt of Germany will still not be erased.”

The British prosecutor, Shawcross, used the word as well, although his main advisor, Lauterpacht, had not included it in his draft. “Shawcross used the term in a more limited sense, as he made clear. “Genocide” was an aggravated “crime against humanity,” but only if committed in connection with the war.” Also, given Lauterpacht’s less racist perspective Shawcross addressed broader, less racist groups, such as the Polish intelligentsia and “Genocide” pursued “in different forms” against other groups, in Yugoslavia, in Alsace-Lorraine, in the Low Countries, even in Norway”.

“Crimes against humanity got a central place in the judgment and, for the first time in history, were recognized to be an established part of international law.” Yet, the final judgement did not use the word ‘genocide’. “Several of the others were found to have committed crimes against humanity, but none were found guilty of genocide. The word was unspoken.”

And yet the concept of genocide also entered international law with great force largely through the indefatigable efforts of Rafael Lemkin at the trial and beyond. “He argued against general declarations about human rights of the kind that would be raised at the first General Assembly of the United Nations, to be held later that year. How could piracy and forgery be international crimes, he asked rhetorically, but not the extermination of millions? He made a pitch for genocide to be “declared an international crime,” reminding those in the room about Axis Rule. Anyone involved in “the criminal philosophy of genocide” should be treated as a criminal, he told those present.”

“Desiring to lay the path for an international bill of rights, the General Assembly affirmed that the principles of international law recognized by the Charter of the Nuremberg Tribunal—including crimes against humanity—were a part of international law. By resolution 95, the General Assembly endorsed Lauterpacht’s ideas and decided to find a place for the individual in the new international order…

The General Assembly then adopted resolution 96. This went beyond what the judges at Nuremberg had decided: noting that genocide denied the “right of existence of entire human groups,” the Assembly decided to override the ruling and affirm that “genocide is a crime under international law.” Where judges feared to tread, governments legislated into existence a rule to reflect Lemkin’s work…

On December 9, 1948, the General Assembly adopted the Convention on the Prevention and Punishment of the Crime of Genocide, the first human rights treaty of the modern era.” (also institutionalizing the racist misconceptions implicit in the concept of genocide .)

“No treaty on crimes against humanity has yet been adopted to parallel Lemkin’s Genocide Convention.”

Sands wraps up his commentary comparing genocide and crimes against humanity with a brief history. “Two months after agreement was reached on the ICC, in September 1998 Jean-Paul Akayesu became the first person ever to be convicted for the crime of genocide by an international court. This followed a trial held at the International Criminal Tribunal for Rwanda…
A few weeks later, in November 1998, the House of Lords in London ruled that Senator Augusto Pinochet, former president of Chile, was not entitled to claim immunity from the jurisdiction of the English courts because the acts of torture for which he was said to be responsible were a crime against humanity. This was the first time any national court had ever handed down such a ruling…
In May 1999, the Serbian president Slobodan Milošević became the first serving head of state to be indicted for crimes against humanity, for alleged acts in Kosovo. In November 2001, after he left office, genocide charges were added to his indictment, in relation to atrocities in Bosnia, at Srebrenica…
In September 2007, the International Court of Justice in The Hague ruled that Serbia violated its obligation to Bosnia and Herzegovina by failing to prevent a genocide in Srebrenica. This was the first occasion on which any state had been condemned by an international court for violating the Genocide Convention…
Two years later, in May 2012, Charles Taylor became the first head of state to be convicted of crimes against humanity. He was sentenced to fifty years in prison…
In 2015, the United Nations International Law Commission started to work actively on the subject of crimes against humanity, opening the way to a possible companion to the convention on the prevention and punishment of genocide…”
Sadly, it currently contains an article continuing the Genocide Convention’s racist view of atrocities against racial groups. And sadly too, it ignores lgbt issues and defines gender bias as only against a man or a woman.
“An informal hierarchy has emerged. In the years after the Nuremberg judgment, the word genocide gained traction in political circles and in public discussion as the “crime of crimes,” elevating the protection of groups above that of individuals...a crime against humanity came to be seen as the lesser evil…
Proving the crime of genocide is difficult, and in litigating cases I have seen for myself how the need to prove the intent to destroy a group in whole or in part, as the Genocide Convention requires, can have unhappy psychological consequences … enhances the sense of solidarity among the members of the victim group while reinforcing negative feelings toward the perpetrator group…The term “genocide,” with its focus on the group, tends to heighten a sense of “them” and “us,” burnishes feelings of group identity, and may unwittingly give rise to the very conditions that it seeks to address: by pitting one group against another, it makes reconciliation less likely…
I fear that the crime of genocide has distorted the prosecution of war crimes and crimes against humanity, because the desire to be labeled a victim of genocide brings pressure on prosecutors to indict for that crime. For some, to be labeled a victim of genocide becomes “an essential component of national identity” without contributing to the resolution of historical disputes or making mass killings less frequent. It was no surprise that an editorial in a leading newspaper, on the occasion of the centenary of Turkish atrocities against Armenians, suggested that the word “genocide” may be unhelpful, because it “stirs up national outrage rather than the sort of ruthless examination of the record the country needs.”…
Yet against these arguments, I am bound to accept that the sense of group identity is a fact. As long ago as 1893, the sociologist Louis Gumplowicz, in his book La lutte des races (The struggle between the races), noted that “the individual, when he comes into the world, is a member of a group.”… It seems that a basic element of human nature is that “people feel compelled to belong to groups and, having joined, consider them superior to competing groups.” This poses a serious challenge for our system of international law confronted with a tangible tension: on the one hand, people are killed because they happen to be members of a certain group; on the other, the recognition of that fact by the law tends to make more likely the possibility of conflict between groups, by reinforcing the sense of group identity. Perhaps Leopold Kohr got it right, in the strong but private letter he wrote to his friend Lemkin, that the crime of genocide will end up giving rise to the very conditions it seeks to ameliorate.”

Sands thus ends his narrative with a very diluted and ambiguous terminus. It seems to me that his refusal to acknowledge the fundamental error in a racist view of humanity lies at the core of his inconsistency. In the end, he has to invoke the arguments of someone outside his binary world of Lauterpacht and Lemkin to reconcile his views: Kohr, with his arguments against viewing the Germans or anyone as a ‘race’ shows the direction for final clarification. Sands’ preference for a law based on individual guilt rather than group guilt can be strengthened by a recognition of the modern scientific view that all humanity shares more than 99.5% of the same genetic material, leaving no room for more than one race of humanity. This takes away the implicit racist power of the concept of genocide, with its racist notion that an entire evolutionary group could be forever wiped out in a crime of crimes against humanity. From this stance, other shortcomings of a genocidal view of groups help to eradicate the concept of genocide.
The problem with protecting groups is that it opens up the punishment of groups, retaliation against collective guilt, and if that punishment is mortal, how to distinguish it from genocide itself. This is all too evident in the blame on ‘German’s rather than Nazi ideologues that arose in Lemkin’s writings, the Nuremburg trials, and the convictions. Lemkin's approach to genocide made the same mistake as Hitler's and the prevalent worldview of scholars of that era: assuming the reality of unique genetic human groups. If this fiction is recognized as unreal then the focus remains on crimes against humanity and individual rights, where it belongs.

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